Anna Magdalena (1998)

Anna Magdalena 1998 Scruffy but irresistibly attractive Yau Muk yan, without a job or a place to live, moves in with sensitive, shy piano tuner Chan Kar fu Both are disturbed, then obsessed, by the amateurish piano playing of upstairs neighbour Mok Man yee Obsession turns to romance, and romance to fantasy The film is structured in four movements two themes Yau Muk yan, Mok Man yee, a duet Yau Muk yan amp Mok Man yee, and a set of variations a wild fantasy of Chan Kar fu in his new novel